Today, Sunday, June 14 is certainly a day filled with significance: The Catholic Church, in the Novus Ordo of the Latin Liturgy of the Roman Rite, celebrates the Solemnity of Corpus Christi in many places; it is a Sunday, and therefore a Solemnity under any circumstance in that Rite; it is also Flag Day in the U.S.A.; it's the 10th anniversary of my father's funeral, and the 84th anniversary of G.K.Chesterton's death. June 14 was the Sunday after the Thursday celebration of Corpus Christi in 1936. As Joseph Pearce asserts in an article for The Catholic World Report, Chesterton appreciated both the Truth and the Beauty of St. Thomas Aquinas' hymns for the feast of Corpus Christi.
In chapter five of Chesterton's The Dumb Ox, he discusses those hymns and Aquinas' poetry:
But the composer of the Corpus Christi service was not merely what even the wild and woolly would call a poet; he was what the most fastidious would call an artist. His double function rather recalls the double activity of some great Renaissance craftsman, like Michelangelo or Leonardo da Vinci, who would work on the outer wall, planning and building the fortifications of the city; and then retire into the inner chamber to carve or model some cup or casket for a reliquary. The Corpus Christi Office is like some old musical instrument, quaintly and carefully inlaid with many coloured stones and metals; the author has gathered remote texts about pasture and fruition like rare herbs; there is a notable lack of the loud and obvious in the harmony; and the whole is strung with two strong Latin lyrics. Father John O'Connor has translated them with an almost miraculous aptitude; but a good translator will be the first to agree that no translation is good; or, at any rate, good enough. How are we to find eight short English words which actually stand for "Sumit unus, sumunt mille; quantum isti, tantum ille"? How is anybody really to render the sound of the "Pange Lingua", when the very first syllable has a clang like the clash of cymbals?
I've been listening the past few weeks to the Cardinall's Musicke's recording of the Propers for Ascension, Pentecost, and Corpus Christi composed by William Byrd. It includes a section on Devotions to the Blessed Sacrament with Byrd's settings of O salutarius hostia (one verse), Pange lingua gloriosi, and of course, O Sacrum Convivium, the antiphon for the Magnificat of Second Vespers, but not the sequence of the Mass, Lauda, Sion. Speaking of translations, this resource includes translations by Edward Caswall, John Mason Neale, and Gerard Manley Hopkins! The Father John O'Connor that Chesterton mentions was the priest who inspired the Father Brown character and received Chesterton into the Catholic Church in 1922.
My brother and sister and I will gather to celebrate our father's life later this afternoon, after I attend the External Celebration of Corpus Christi in the Extraordinary Form of the Latin Rite in the late morning.
James Monroe Joseph Boyer died on June 10, 2010 and his Funeral Mass was on Monday, June 14, Flag Day.
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