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It was only after the Wyatt rebellion that Jane's continued existence as a focal point for overthrowing Mary became too great a liability, especially with Philip of Spain on the way. Jane had little to do with Wyatt's plans--in fact, Elizabeth was probably more guilty of collusion with Wyatt's plot than Jane had willingly been with her father-in-law (at first, at least). Unfortunately for her, however, her father had taken part in Wyatt's attempt to depose Mary to place Elizabeth and Courtenay, an erstwhile Catholic candidate as husband for Mary, on the throne and even though Mary regretted it, She ordered Jane's execution. Jane watched her husband be taken to Tower Hill for execution and his headless body brought back the morning of February 12, 1554 while she was scheduled for a private execution at Tower Green. He had asked to meet the night before but she refused, saying it would be too painful and certain they would meet again soon in heaven.
At her execution, she acknowledged her guilt in the one case and declared her innocence in the other: "Good people, I am come hither to die, and by a law I am condemned to the same. The fact, indeed, against the Queen's highness was unlawful, and the consenting thereunto by me: but touching the procurement and desire thereof by me or on my behalf, I do wash my hands thereof in innocency, before God, and the face of you, good Christian people, this day."
The Delaroche painting romantically depicts her moment of panic when she could not find the block after being blindfolded as her ladies swoon behind her. John Feckenham, the last Abbot of Westminster accompanied her on the scaffold, sent by Mary before to help Jane prepare for death. As I've noted before, although they strictly disagreed on religious matters, Jane and Father Feckenham at least respected each other.
I have not read Eric Ive's recent study of Lady Jane Grey's claim to the throne, but I agree with Leanda de Lisle in The Sisters Who Would be Queen: Mary, Catherine, and Lady Jane Grey: A Tudor Tragedy that "The sixteenth-century Jane was a much more interesting and ambivalent figure than the traditional stories allow." Since Guilford's brother Robert had become Elizabeth's great favorite, the story of their brief reign and their executions were soon part of Elizabethan propaganda. Her seeming innocence and evangelical fervor also made her a likely target of Foxe's myth-building.
Thank you for the lovely post.
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