Henrik Bering reviews In Search of Civilization: Remaking a Tarnished Idea by John Armstrong for the WSJ and includes this strange anecdote about Lord Kenneth Clark and his BBC series, Civilisation: "Among academics, the word "civilization" has long had a sinister ring to it, carrying associations of elitism and luxury. Worse, it is linked to imperialism, having provided Europeans with the justification for their far-flung conquests in centuries past—and, these days, for endless self-flagellation.
"With "In Search of Civilization," John Armstrong, the resident philosopher at the Melbourne Business School in Australia, sets out to restore the reputation of a word that, to him, represents something infinitely precious and life-sustaining, a source of strength and inspiration. The great civilizations, he says, provide "a community of maturity in which across the ages individuals try to help each other cope with the demands of mortality."
"As he makes clear, his purpose is not to provide a history of various civilizations or to update Samuel Huntington's seminal 1996 book on the post-Cold War world, "The Clash of Civilizations," though he cites Huntington's conclusion that today's real conflict is between civilization and barbarism. Mr. Armstrong wishes to convey what the idea means to him personally.
"He identifies two basic attitudes toward civilization. One is that of the pessimist, exemplified here by the medieval abbot Bernard of Clairvaux. To Bernard, civilization was a rare and delicate plant, one that could survive only when sheltered behind the thick walls of a monastery. Outside were brutal barons, vulgar merchants and hoggish peasants. Such benighted folk he considered beyond reach.
"Mr. Armstrong notes that even though British art historian Kenneth Clark crafted the 1969 television documentary series "Civilisation"—a survey of Europe's greatest artistic achievements and a cultural event in its own right—deep down he shared Bernard's pessimism. Clark once delivered a speech in Washington to rapturous applause, we're told, and then fled to the men's room, where he "sobbed and howled for a quarter of an hour." The historian felt like a fraud for having betrayed great artworks by peddling his thoughts about them to people who lacked the insight to truly appreciate them. . . ."
Then he goes on to identify the more positive view, using the Abbot Suger as an example. The story of Clark sobbing in the men's room that he had just wasted his time and betrayed great art just doesn't fit with my view of his purpose in that series, gained from watching the series and reading the book so many times. The booklet with the DVD set does include the note that he wanted to do an episode on the Germans, especially Goethe, and he felt badly that he was so limited by the number of episodes--had to stop with the odd number. What I've read about his view of the series was that it was as much entertainment as it was education. Here is an analysis of the series that includes that point.
A couple of months ago, I heard from the gentleman who has launched this 


