P.D. James' Fan Fiction: "Death Comes to Pemberley"

P.D. James apologizes to Jane Austen for writing this pastiche, a mystery novel sequel to Pride and Prejudice. Perhaps she should have apologized to Elizabeth Bennett Darcy, whose character is the one done harm, not Jane Austen herself. Since the mystery of who murdered--why was the title not Murder at Pemberley?--Captain Denny dominates the story, Elizabeth does not have the opportunity to sparkle with wit and humor at others' follies, although it is reported that she has done so on occasion. Only after the crisis of the murder, the inquest and the trial do we see flashes of Elizabeth's character created by Austen.

James creates links to Pride and Prejudice and other Austen fiction throughout the novel with references to previous events and characters like Anne Eliott from Persuasion and Harriet Smith from Emma. But since there's a mystery to to be solved, the focus is on the investigation of the crime: interviews, confessions, and legal proceedings dominate the action. Elizabeth's input throughout the novel is to manage the household, take care of her sister-in-law Georgiana, visit the tenants in the cottage on the estate, and assist Darcy in practical matters. She notices things about the tenants and she is certainly involved in Georgiana's prospective choice between two suitors, but so much has to be deferred while Captain Denny's accused murderer is under investigation and on trial. Darcy is involved in most of the legal proceedings as witness and brother to the accused (Wickham); Elizabeth may accompany him to London for the trial but there is no possibility that she will attend it, for example.

James begins the novel back with the Bennetts at Longbourn as Mrs. Bennett is so relieved to have married off four of her five daughters--and you might be surprised at the one who got married and which one is still at home. She and Lydia, Lady Catherine de Brough, and Mr. Collins are as irritating as ever, while Elizabeth has second thoughts about her good friend Charlotte who married Mr. Collins after Elizabeth turned him down. The mood of the novel is dark. Judging by the synopsis of the second episode of the BBC adaptation, that dramatization overstates Darcy's second-guessing of his marriage to Elizabeth.

All ends well, however. To comment on the presence of clergymen in this novel: Good Church of England pastors like the Reverends Mr. Oliphant and Cornbinder come off well as practical men of good sense and kindness. Mr. Oliphant protects the Darcy family from the curiosity of those attending Sunday services with an incomprehensible and long sermon and conversation after the service is over. He and Dr. McFee (a good name for a doctor: "make fee") take crucial action while Reverend Corbinder helps both Wickham and Darcy. But the Reverend Mr. Collins is the same Mr. Collins, insulting Elizabeth while angling for a better living at Pemberley!

I don't know if I can really recommend Death Comes to Pemberley; James is well known as an excellent writer--and she does recreate Austen's prose style with an opening sentence that echoes the beginning of Pride and Prejudice--but perhaps like so many other fans of Jane Austen, she should have been satisfied by Austen's accomplishments.

The Wrong Lizzie

I watched part one of  Death Comes to Pemberley this Sunday, the BBC adaptation of P.D. James' mystery novel Austen pastiche. The actress playing Elizabeth Bennett Darcy is utterly miscast: Elizabeth should be pretty, happy, and witty. This lady has scraggly hair and when her sister Jane showed up the mistake in casting/makeup/styling was clear--Elizabeth's sister-in-law Georgiana is so beautiful too so the contrast is striking. She looked more like poor Anne Elliott than Elizabeth!

James evidently brings out--I have not read the book--some skeletons from the Darcy closet: bad blood between the Darcy's and a neighboring family and a wastrel ancestor. There are several mysteries at Pemberley: the murder of Wickham's friend Denny; Colonel Fitzwilliam's meeting with a mysterious lady; a baby whose parentage is unknown, and the ultimate question: will Elizabeth's and Darcy's marriage survive this debacle and the presence of her family and Lady Catherine de Bourgh!

The synopsis of episode one from PBS:

One the eve of the annual Lady Anne ball at their magnificent Pemberley estate, the silver gleams, the kitchen bustles with activity, the grounds evoke serenity and order, and alongside her husband Darcy, Pemberley's Lady Elizabeth presides. Together, they welcome their guests: Colonel Fitzwilliam, Darcy's severe cousin and a newly-minted heir in a dutiful search for a wife; young lawyer Henry Alveston, a sincere admirer of Darcy's gentle-natured sister Georgiana; and the histrionic Mrs. Bennet and her long-suffering husband. Unwelcome and uninvited are the Wickhams.

Yet the pre-ball festivities are brought to an abrupt halt when a coach races up to Pemberley carrying an hysterical Lydia Wickham, shrieking "Murder!" Darcy leads a search party and discovers the old thorn in his side, George Wickham, distraught and covered in blood, dragging the body of Captain Denny, whom he'd pursued mid-argument into the dark woods.

All evidence—now in the hands of the magistrate Hardcastle, an old Darcy adversary—points to Wickham's guilt. Has Wickham committed the ultimate crime? And innocent or not, will he finally damage Pemberley and its residents beyond repair?

Not to give anything away, but I do think one problem with the magistrate's case is: where is the murder weapon? Episode two airs next Sunday.

Mr. Darcy Proposes Again

My husband and I went to see Woody Allen's new movie, Magic in the Moonlight with Colin Firth as a melancholy magician who sets out to prove that Emma Stone, the supposed psychic medium is a fraud. Of course, he ends up falling in love with her--it's a rather lightweight Woody Allen movie and its supposed discussion of whether there is anything beyond this life on earth is really beside the point of the movie. It's set in 1928 in the south of France (Coe d'Azur and Provence), the costumes are excellent and the music is fun.

Colin Firth, however, must have experienced a moment of deja vu as he played his character, Stanley, because as he proposed to Sophie he seems to be channeling (just to use one of Sophie's terms) another character. Stanley's proposal of marriage is diffident and proud, just as Mr. Darcy's was to Elizabeth in Jane Austen's Pride and Prejudice:

"In vain I have struggled.  It will not do.  My feelings will not be repressed.  You must allow me to tell you how ardently I admire and love you."

 

Elizabeth's astonishment was beyond expression. She stared, coloured, doubted, and was silent. This he considered sufficient encouragement; and the avowal of all that he felt, and had long felt for her, immediately followed. He spoke well; but there were feelings besides those of the heart to be detailed; and he was not more eloquent on the subject of tenderness than of pride. His sense of her inferiority-- of its being a degradation-- of the family obstacles which had always opposed to inclination, were dwelt on with a warmth which seemed due to the consequence he was wounding, but was very unlikely to recommend his suit.

In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man's affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger. She tried, however, to compose herself to answer him with patience, when he should have done. He concluded with representing to her the strength of that attachment which, in spite of all his endeavours, he had found impossible to conquer; and with expressing his hope that it would now be rewarded by her acceptance of his hand. As he said this, she could easily see that he had no doubt of a favourable answer. He spoke of apprehension and anxiety, but his countenance expressed real security. Such a circumstance could only exasperate farther, and, when he ceased, the colour rose into her cheeks, and she said:

"In such cases as this, it is, I believe, the established mode to express a sense of obligation for the sentiments avowed, however unequally they may be returned. It is natural that obligation should be felt, and if I could feel gratitude, I would now thank you. But I cannot-- I have never desired your good opinion, and you have certainly bestowed it most unwillingly. I am sorry to have occasioned pain to anyone. It has been most unconsciously done, however, and I hope will be of short duration. The feelings which, you tell me, have long prevented the acknowledgment of your regard, can have little difficulty in overcoming it after this explanation."

 

You can watch Colin Firth as Mr. Darcy both insult Elizabeth's family and social connections while expressing his love even though it's unreasonable and irresponsible of him in this clip from 1995 BBC adaptation of Pride and Prejudice:

 

 

 It's a long way from Jane Austen to Woody Allen!