Another View of Shakespeare's Religion

2016 is the Shakespeare year of our lifetime: the 400th anniversary of his death. Everybody is writing about him, performing his plays, doing something to honor him. Just one example: one of my favorite early music groups, Stile Antico, is honoring Shakespeare with a special program, "The Wonder of Will":

To mark of the 400th anniversary of the death of William Shakespeare, Stile Antico and the Folger Consort collaborate on a glorious programme of Elizabethan and Jacobean music. Shakespearean songs and music for his greatest patron King James I are heard along with works by his contemporaries William Byrd and John Dowland, including the Lachrimae for five viols and lute. Viols and voices join in period anthems, and Stile Antico performs contemporary settings of Shakespearean texts by acclaimed young composers Huw Watkins and Nico Muhly.

William Byrd: O Lord, make thy servant Elizabeth 
John Dowland: Lachrimae Antique
Dowland: Say, Love, if ever thou did’st find
Dowland: Lachrimae Antique Novae
Byrd: Why do I use my Paper, Ink and Pen
Dowland: Lachrimae gementes 
Byrd: Exsurge, Domine
Dowland: Lachrimae Tristes 
Huw Watkins: The Phoenix and the Turtle
Will Ayton: Fantasia on ‘Flow my Tears’
Thomas Tomkins: Be strong and of a good courage
Dowland: Lachrimae Coactae 
Robert Johnson: Full fathom five
Dowland: Lachrimae Amantis
Nico Muhly: Gentle sleep
Dowland: Lachrimae Verae
Wilbye: Draw on, sweet night

Note that they had to cancel their Washington, DC dates because of the blizzard this past weekend. I hope Stile Antico releases a CD of that program.

The OUP (Oxford University Press) blog revisits a common question: Was Shakespeare a Catholic? Gillian Woods, author of Shakespeare's Unreformed Fictions, offers her insights:

Questions such as ‘was Shakespeare a Protestant or a Catholic?’ use terms that are too neat for the reality of post-Reformation England. The simple labels Catholic, Protestant, and Puritan paper over a complex lived experience. Even in less turbulent times, religion is a framework for belief; actual faith slips in and out of official doctrine. Religion establishes a set of principles about belief and practice, but individuals pick and choose which bits they listen to.

‘Catholicism’ was an especially tricky category in this era. Under pressure of crippling fines and even execution, early modern Catholics maintained their faith in a variety of ways. Not every so-called papist supported the pope. The Roman Catholic Church of this era encompassed ‘recusants’ (who openly displayed their Catholicism by refusing to attend mandatory Church of England services) and ‘church papists’ (who conformed to the monarch’s protestant customs, but secretly practiced Catholicism). Some Catholics supported Elizabeth politically, looking to the pope only in spiritual matters; others plotted her overthrow. Catholicism was in the eye of the beholder; hotter Protestants saw many elements of Elizabeth’s own Church as horrifyingly ‘Romish’, but to average Protestants those puritanical objections seemed hysterical. Some accepted the theology and politics of the reformation, but still harboured an emotional attachment to older traditions, like praying for the dead. Furthermore, people have a habit of changing their minds over time, shifting their beliefs at different moments of their lives. Asking about the confessional allegiance of any early modern individual is a much more difficult – and interesting – enterprise than figuring out an either/or choice. Whatever Shakespeare’s personal faith was, he wrote plays that worked for audiences who had to feel their way through these dilemmas, audiences for whom Protestantism was the official state religion, but who experienced a far messier reality.

Playhouses provided spaces to explore these anxieties. Even though the direct representation of specific theological controversy was banned, Renaissance plays frequently featured elements of the Roman Catholic religion that had been practically outlawed in real life. Purgatorial ghosts and well-meaning friars still appeared on stage; star-crossed lovers framed their first kiss in terms of saintly intercession and statue veneration (Romeo and Juliet, 1.4.206-19); and various characters swore ‘by the mass’, ‘by the rood’, and ‘by’r lady’. Shakespeare wrote over sixty years after Henry VIII set the Reformation in motion. By the 1590s, English friars, nuns and hermits belonged firmly to the past, and many writers used them like the formula ‘once upon a time’: to create a safely distant, fictional world.

Read the rest there. When she avers that "Religion establishes a set of principles about belief and practice, but individuals pick and choose which bits they listen to" I know what she means. But I usually think of that in the context of morality: choices in personal or sexual behavior, especially in my lifetime. A Catholic who does not attend Mass on Sundays or other Solemnities usually thinks of herself as being separated from the Church and in that era, Mass attendance was not only the mark of being a Catholic but the most dangerous since it required the presence of a priest (an act of treason); assistance to the priest (a felony); attendance at Mass (a felony) and absence, perhaps, from the Anglican service in the nearby parish (a fine at the least). 

TRENT AND ALL THAT: Catholic Reformation or Counter Reformation? Or Something Else??

One of the last purchases on my Eighth Day Books gift certificate from my husband this Christmas is Trent and All That: Renaming Catholicism in the Early Modern Era by John W. O'Malley. Previously, I have enjoyed reading his book Four Cultures of the West (prophetic, academic, humanistic, performance/art). Re: this book, Harvard University Press states:

Counter Reformation, Catholic Reformation, the Baroque Age, the Tridentine Age, the Confessional Age: why does Catholicism in the early modern era go by so many names? And what political situations, what religious and cultural prejudices in the nineteenth and twentieth centuries gave rise to this confusion? Taking up these questions, John O’Malley works out a remarkable guide to the intellectual and historical developments behind the concepts of Catholic reform, the Counter Reformation, and, in his felicitous term, Early Modern Catholicism. The result is the single best overview of scholarship on Catholicism in early modern Europe, delivered in a pithy, lucid, and entertaining style. Although its subject is fundamental to virtually all other issues relating to sixteenth- and seventeenth-century Europe, there is no other book like this in any language.

More than a historiographical review, Trent and All That makes a compelling case for subsuming the present confusion of terminology under the concept of Early Modern Catholicism. The term indicates clearly what this book so eloquently demonstrates: that Early Modern Catholicism was an aspect of early modern history, which it strongly influenced and by which it was itself in large measure determined. As a reviewer commented, O’Malley’s discussion of terminology "opens up a different way of conceiving of the whole history of Catholicism between the Reformation and the French Revolution."

Table of Contents:
Introduction: What’s in a Name?
1. How It All Began
2. Hubert Jedi and the Classic Position
3. England and Italy in Jedin’s Wake
4. France, Germany, and Beyond
Conclusion: There’s Much in a Name
Bibliography
Notes
Acknowledgments
Index

The work he highlights in chapter three is H. Outram Evennett's Spirit of the Counter-Reformation, based on his Birkbeck Lectures of 1951 edited by John Bossy, one of Evennett's students and the author of the major study on English Catholicism, The English Catholic Community, 1570-1850 . What both O'Malley and Bossy point out in their evaulation of Evennett's achievement in this book (which has NOT BEEN OUT OF PRINT since publication), is that he was working in a cultural milieu, British academia at the University of Cambridge that of course had not considered the Catholic side of early modern history at all. I read Evennett's book a few years ago while preparing a couple of presentations on the Protestant Reformation and the Catholic/Counter Reformation for my parish's RCIA program.

After tracing the development of the names of what O'Malley calls "the Catholic side" of the religious changes that happened in Europe during the 16th and 17th century, he summarizes their effectiveness and proposes a new name (as of 2001, at least): Early Modern Catholicism. The other terms used: The Counter Reformation (describes the actions taken by the Catholic Church to "counter" the Protestant Reformation; The Catholic Reformation (describes the actions taken by the Catholic Church to address abuses, improve discipline); The Tridentine Age (focuses on the efforts of the Council of Trent); Confessional Catholicism (focuses on the efforts of states and nations to identify themselves politically as Catholic)--each have strengths and weaknesses in attempting to summarize the Church's activities in the 16th and 17th centuries.

The term O'Malley proposes, Early Modern Catholicism, suffers, as he admits, from some vagueness but benefits by comprehending all the other names under its big tent, and other names besides--like the Baroque Era, the Age of Gold in Spain, the Great Century in France, etc. Robert S. Miola uses that term in the title of his great anthology.

Although he uses yet another term for the Catholic response to the Protestant Reformation ("The Reinvention of Catholicism") I thought of Nathan Mitchell's book on the Rosary as I read O'Malley describing how his term Early Modern Catholicism allows much more leeway in discussing people and events that don't fit under the categories claimed in the names listed above: the missionary efforts (including England); the devotional and confraternity movements and new orders founded in the 16th and 17th centuries, like the Oratory; and the role of women, the Ursulines, Mary of Agreda, etc.

Another book that represents that broader reach and uses YET ANOTHER TERM, "Catholic Renewal" also demonstrates the dating issue O'Malley brings up, extending the period from 1540 to 1770, up to Enlightenment times. The second edition added a chapter on "The Catholic Book", which means I need to supplement the edition I already have!

Finally, there is Robert Bireley's book, The Refashioning of Catholicism, 1450-1700: A Reassessment of the Counter Reformation published by Catholic University of America Press:

Throughout its history, Christianity has adapted to contemporary society and culture in order to reach people effectively and have an impact on the world. This process often evokes controversy. Certainly this is the case in the current century, and so it was in the sixteenth. Robert Bireley argues that early modern Catholicism, the period known more traditionally as the Counter Reformation, was both shaped by and an active response to the profound changes of the sixteenth century--the growth of the state; economic expansion and social dislocation; European colonialism across the seas; the Renaissance; and, of course, the Protestant Reformation.

Bireley finds that there were two fundamental, contrasting desires that helped shape early modern Catholicism: the desire especially of a lay elite to lead a full Christian life in the world and the widespread desire for order and discipline after the upheavals of the long sixteenth century. He devotes particular attention to new methods of evangelization in the Old World and the New, education at the elementary, secondary, and university levels, the new active religious orders of women as well as men, and the effort to create a spirituality for the Christian living in the world.

This book will be of great value to all those studying the political, social, religious, and cultural history of the period.

What term do you think best describes "the Catholic side" of the 16th and 17th centuries? Please cast your vote in the comment box and tell why:

1) Catholic Counter Reformation
2) Catholic Reformation
3) Tridentine Age
4) Confessional Catholicism
5) Early Modern Catholicism
6) Catholic Renewal or Catholic Refashioning
7) Your Own Term