Showing posts with label Brompton Oratory. Show all posts
Showing posts with label Brompton Oratory. Show all posts

Friday, November 1, 2024

For November: Father Frederick Faber on "Holy Gratitude"

Anna Mitchell asked me to discuss and bring out highlights from a book published by Sophia Institute Press by Father Frederick Faber, The Little Book of Holy Gratitude, on the Son Rise Morning Show throughout November. We'll start our discussion with some biographical information about Father Faber on Monday, November 4. I'll be on the air at my usual time! about 7:50 a.m. Eastern Time/6:50 a.m. Central Time. 

Don't forget to "Fall Back" on Sunday as it applies in the USA and Canada!

Please listen live here or listen to the podcast later.

Father Frederick Faber was born and raised according to the religion of the Church of England; he was a convert and an Oratorian like Saint John Henry Newman. He and Newman, indeed, have much in common, although they did not always see eye-to-eye on certain matters, even as Catholics and Oratorians. Faber was born on June 28, 1814 and died on September 26, 1863 after suffering from Bright's disease. Like Newman, Faber had Huguenot ancestors and for a time he held Calvinist views of salvation; like Newman, Faber endured some setbacks in his academic career at Oxford, not quite achieving his goals. Like Newman, he was ordained a deacon and then a minister in the Church of England; like Newman, when he travelled on the Continent, he was at first disturbed by Catholic piety and worship.

Then he began to follow Newman, inspired by the Parochial and Plain Sermons, and became a follower of the Tractarian Movement. He vacationed in the Lake District, wrote poetry, and was befriended by William Wordsworth!

This 2013 tribute Faber posted on the New Liturgical Movement website describes what happened next:

In 1843 Faber was inducted into the University College living of Elton in Huntingdonshire. During the years 1839-43 he made two continental tours, and his letters give striking poetic descriptions of the scenes he visited; they glow with enthusiasm for Catholic rites and devotion. [Notice the change in attitude!] In Rome he was received in audience by Pope Gregory XVI and acquired a devotion to St Philip Neri [!], whose life he translated at Elton, where he turned his household servants into a brotherhood. He established the practice of confessions, preached Catholic doctrine, and wrote the life of St Wilfrid, controversially openly advocating the claims and supremacy of Rome. He was greatly loved by his people. It was only Newman’s influence that prevented him from entering the Church.

But on 9 October 1845, Newman was received into the Church at Littlemore. In November, with Francis Knox and ten other friends and servants, Faber was received into the Church at Northampton by Bishop William Wareing, vicar apostolic of the eastern district. They settled in Birmingham, where they informally organized themselves as a religious community, calling themselves the Brothers of the Will of God, or ‘Wilfridians’ (as they were mischievously called by St [Blessed] Dominic Barberi) from St Wilfrid, their patron, at Cotton Hall, near Cheadle, Staffordshire, the gift of the Earl of Shrewsbury.

Given that devotion to Saint Philip Neri, it makes sense that once Newman brought the Oratory to England, Faber and his followers were interested. Newman established the London (Brompton) Oratory (the Church of the Immaculate Heart of Mary) in 1849, and Faber was named its Provost. The Brompton Oratory posts these comments about Father Faber:
Faber the preacher, Faber the hymn-writer, Faber the spiritual author, must all give way to Faber the founder and first Provost of the London Oratory. Father Faber became an influential figure in the London of his day. His enthusiastic and, some might say, faintly flamboyant personality might lend itself to unsympathetic treatment by those who do not understand him, and by those who do not read his books. In the words of his early biographer, Fr. John Bowden [Father Henry Sebastian Bowden's brother], Faber's life was "from first to last religious". His character was not something fixed or static. His letters display a growing maturity of outlook. In this he may be fairly said to exemplify the wise insight of Newman himself who said that to be human is to change, and to be perfect is to have changed often. Faber described Newman as "the greatest scholar since St. Augustine" and referred to Newman as the one "who taught me all the good I know". 

Father Faber never enjoyed very good health and sometimes travelled to warmer climates (Malta or Italy) at his doctor's advice; he died at the rather young age of 49. He wrote many books of devotion and like Newman and other Oratorians (for example Edward Caswall), wrote and translated hymns for congregational singing at Mass and Vespers, so commonly celebrated on Sundays with Benediction at the Oratory. Among his famous hymns are "Faith of Our Fathers" (with its tribute to the Catholic martyrs of the English Reformation), "There's a Wideness in God's Mercy", "Jesus, My Lord, My God, My All"--

Jesus, my Lord, my God, my All,
How can I love thee as I ought?
And how revere this wondrous gift,
So far surpassing hope or thought?
Sweet Sacrament, we thee adore;
Oh, make us love thee more and more.
Oh, make us love thee more and more.

Had I but Mary's sinless heart
To love thee with, my dearest King,
Oh, with what bursts of fervent praise
Thy goodness, Jesus, would I sing.
Sweet Sacrament, we thee adore;
Oh, make us love thee more and more.
Oh, make us love thee more and more.

Thy Body, Soul, and Godhead, all,
O mystery of love divine.
I cannot compass all I have,
For all thou hast and art are mine.
Sweet Sacrament, we thee adore;
Oh, make us love thee more and more.
Oh, make us love thee more and more.

--and several hymns praising the Mother of God and St. Joseph.

The chapters in The Little Book of Holy Gratitude are drawn from chapter seven "Offer Thanks to God", of one of Father Faber's most popular books, All for Jesus: The Easy Way of Divine Love. He also translated St. Louis de Montfort's famous True Devotion to the Blessed Virgin Mary and wrote several other devotional works.

In just the two pages of one chapter, "Thankful Souls Are Happy" from the Sophia edition, Father Faber weaves a tapestry of virtue for us to examine. 

He begins with the models of the virtue of gratitude: the Blessed Virgin Mary, the patriarch Jacob, and King David. They remembered the blessings they'd received, meditated upon them, and, in the case of David, sang "of old mercies and [made] much of them" in the Psalms.

He also highlights the connection between our awareness of God's mercy in forgiving our sins and our thanksgiving: "a very grateful man is also a deeply penitent man".

Faber outlines the many virtues of gratitude to God and how they make us happy, because as we practice gratitude we begin to look for reasons to be grateful, even when they're not immediately apparent!, like seeing some slight delay as providential because we therefore weren't on the site of an accident when it happened, or we were blessed to see a friend we wouldn't have if we'd arrived earlier at our destination! 

The virtues expressed in holy gratitude: "promptitude of obedience, heroic effort, joyful perseverance". Holy Gratitude is "loyalty to God".

"Happy the man whose life is one long Te Deum"! he writes--constantly praising and thanking God with the Angels, the Cherubim, the Seraphim, the Apostles, the Prophets, and the Martyrs.

Faber says when we show this gratitude and rejoice in God's blessings, it's apostolic (evangelistic) because "it wins souls", and it "preaches God unconsciously".

"Joy is not a solitary thing!". he proclaims, as we share it.

There's much in these pages to meditation upon and discuss.

Tuesday, January 19, 2016

Vespers from Brompton

Tomorrow the BBC will broadcast Vespers for the feast of Saints Fabian (Pope and Martyr) & Sebastian (Roman Soldier and Martyr) from the Brompton Oratory on its long-running Choral Evensong program. The musical program includes:

Organ Prelude: Intonatio del ottavo tono (Andrea Gabrieli)
Invitatory: Anon (17th century)
Psalms 128-132 (Gregorian chant and falsi-bordoni)
Office Hymn: Sanctorum meritis (Gregorian chant and Palestrina)
Magnificat sexti toni (Lassus)
Antiphon of Our Lady: Alma Redemptoris Mater (L’Héritier)
Organ Voluntary: Praeludium in D minor, BuxWV140 (Buxtehude)

Celebrant: The Revd Father Michael Lang
Director of Music: Patrick Russill
Organist: Ben Bloor

Father Michael Uwe Lang is the author of three books on the liturgy published by Ignatius Press. The latest is Signs of The Holy One: Liturgy, Ritual, and Expression of the Sacred and it features a cover photo of the Easter Vigil at the London Oratory. Father Lang has an M.A. in theology from the University of Vienna and a Ph.D. in theology from the University of Oxford. In addition to being a priest of the Oratory of Saint Philip Neri in London, he is currently Lecturer in Theology at Heythrop College, University of London, and on the Visiting Faculty at the Liturgical Institute in Mundelein, Ill. His other books published by Ignatius are Turning Towards the Lord and The Voice of the Church at Prayer.

The director of music at the Oratory of St. Philip Neri in London, Patrick Russill, 

is recognised as one of the leading figures in English church music. Following organ studies with Nicholas Danby while organ scholar at New College, Oxford, he was appointed Organist of the London Oratory in 1977 at the age of 23 in succession to Ralph Downes, on Downes’ nomination. In 1999 he was appointed Director of Music at the Oratory, assuming overall responsibility for its choral tradition and especially for its famous professional choir, which under his direction ‘remains among the finest mixed-voice choirs in the country’ (Choir & Organ). . . .

As an organ recitalist he has played at the Royal Festival Hall and Queen Elizabeth Hall, in Europe, Asia and all over the UK. He introduced the reconstructed Tudor organs of the Early English Organ Project to London’s South Bank in a Queen Elizabeth Hall recital acclaimed by the Independent on Sunday, in its classical review of 2007, as the outstanding London keyboard concert of the year.

The Guardian also reviewed that recital, highlighting the sad destruction and loss of many organs in the churches of England after the Reformation:

Time, and the zealotry of Protestant reformers, have ensured that, of the thousands of organs in cathedrals, churches and religious foundations in pre-Reformation England, none have survived. But the discovery in Suffolk of a couple of substantial fragments in the shape of original wooden soundboards has allowed the reconstruction of two instruments, both played in this concert by Patrick Russill.

We have also lost a great deal of the music that would have sounded on the originals. But enough remains, even in fragmentary form, of the works of John Redford, Thomas Preston and John Blitheman, as well as better known figures such as Thomas Tallis and William Byrd, to indicate that the 16th century was a high point of English keyboard composition. Virtuoso fancies by Byrd contained in My Ladye Nevell's Booke showed a secular side to a composer best known for his sacred music, and offered Russill a welcome opportunity for some right-hand flamboyance, which he seized.

After the live broadcast, the program is repeated on Sunday and then is available on demand on-line for a time.

Friday, May 30, 2014

Newman Oratories and the Liturgical Life in England

I have experienced Mass at the London (Brompton) and the Oxford Oratories--I must get to Mass at the Birmingham Oratory: it's on my bucket list! This article, which I found while searching for something else, has some great details about "The Contribution of the Oratories to the Liturgical Life of England" and I commend it to your reading.

Among the interesting notes: Newman did not agree with A.W.N. Pugin that the Gothic was THE only style of architecture appropriate for Catholic churches. Indeed, Newman thought that the Classical style was more appropriate because of its "simplicity, purity, elegance, beauty, [and] brightness". Father Nicholls states that, "He believed that the most suitable model for a Catholic Church in England after the emancipation was not to be found in the Gothic revival, but in the great Churches of the Roman Baroque, where the Altar was close to the congregation, and easily visible; where the tabernacle was prominent and the Blessed Sacrament was the focus of attention throughout the building."

Father Nicholls also addresses the contributions two Oratorians made to liturgical music by Edward Caswall and Frederick Faber; classical music at the Birmingham Oratory (Newman favored the Viennese masters like Mozart, Haydn, Cherubini, Hummel, and Beethoven over plainchant and polyphony!); the subsequent development of plainchant and polyphony after Pope St. Pius X issued his Motu Proprio on liturgical music in 1903; the use of Latin in Oratory Masses; the traditions of celebrating High Mass and Sunday Vespers, and the practice of the celebrant facing the Altar during Mass.

Very enlightening. Read the rest here.

Thursday, September 26, 2013

Father Faber on the Son Rise Morning Show


I'll be on the Son Rise Morning Show this morning at 7:45 a.m. Eastern/6:45 a.m. Central to discuss the life and influence of Father Frederick Faber, Oratorian and hymnist. You can listen live here online. He is probably best known for his great hymn, "Faith of Our Fathers", sung to the tune St. Catherine by Henri F. Hemy:
 
1. Faith of our fathers, living still,
in spite of dungeon, fire, and sword;
O how our hearts beat high
with joy whene'er we hear that glorious word!
Refrain:
Faith of our fathers, holy faith!
We will be true to thee till death.

2. Faith of our fathers, we will strive
to win all nations unto thee;
and through the truth that comes from God,
we all shall then be truly free.
(Refrain)

3. Faith of our fathers, we will love
both friend and foe in all our strife;
and preach thee, too, as love knows
how by kindly words and virtuous life.
(Refrain)

From Crisis Magazine:

When Father Frederick Faber died in September 1863 after a long illness, there was an outpouring of grief for this Oxford Movement convert. The Freeman’s Journal in Dublin remarked that Faber’s death, “though so long expected, has come with a seeming suddenness…. [T]he name of Father Faber has become a household word as his beautiful hymns have been adopted by every congregation.” The funeral, which was held at the Brompton Oratory that Faber had established ten years earlier, attracted a great crowd. Many of Faber’s fellow Oratorians attended, including John Henry Newman. A number of diocesan priests came as well, including Monsignor Henry Manning, who would soon be appointed Archbishop of Westminster. Also participating were Dominican and Capuchin friars along with priests from France, Belgium and Germany. A correspondent for the Freeman’s Journal recounted the ceremony: “A procession was formed down the centre of the church, the cross being borne in front, and the clergymen walking two by two between the vast crowd which thronged the building. It was a sight calculated to cause deep feelings.”

Faber had accomplished much in the 49 years that God had allotted him. He had arrived at Oxford University in the early 1830s just as the Oxford Movement was taking shape. Like Newman, Faber was drawn to the Church Fathers and hoped that Anglicanism would accept the Early Church understanding of sacraments and liturgy as its own. Ordained an Anglican minister in 1839, Faber quickly lost confidence in the Church of England and wanted to convert to Catholicism. Newman, however, urged him to wait. By the fall of 1845, Newman, too, had despaired of Anglicanism and was received into the Catholic Church. Faber followed a month later. Newman and Faber and the dozens of other Oxford ministers who entered the Catholic Church knew they were taking a bold and radical step. Catholics in England were a small, suspect group, associated in the public imagination with “Bloody Mary,” the Spanish Armada and the Gunpowder Plot. When reporting on the conversions, some English newspapers described them as “perversions.” . . .

In recent years, however, Faber’s reputation has suffered. Some Catholics have found him too Roman, too Marian, too exuberant in his piety. Some Newman scholars have sided with Newman in his quarrel with Faber and have written disparagingly of Faber. . . .

Professor Sylva described the results of that disagreement between Blessed John Henry Newman and Father Frederick Faber in her book on Newman and Italy when Newman traveled to visit different Italian Oratories and with Pope Pius IX to determine that each Oratory could have separate missions, depending on their situation and charisms. The Birmingham Oratory was more focused on education than the London or Brompton Oratory, and through his journey through northern Italy and to Rome, Newman and Ambrose St. John received confirmation that this was not only appropriate, but part of the Oratory rule.

The Provost of the London Oratory writes in his September newsletter that a requiem Mass was scheduled for today in honor of their founder. Father Frederick Faber died on September 26, 1863. He also wrote many devotional works, including All for Jesus, Growth in Holiness, and works on the Blessed Sacrament, the Precious Blood, the Sorrows of the Blessed Virgin Mary, and others. His other famous hymn is "There's a Wideness in God's Mercy":

There's a wideness in God's mercy
like the wideness of the sea;
there's a kindness in his justice,
which is more than liberty.
There is welcome for the sinner,
and more graces for the good;
there is mercy with the Savior;
there is healing in his blood.

There is no place where earth's sorrows
are more felt than in heaven;
there is no place where earth's failings
have such kind judgment given.
There is plentiful redemption
in the blood that has been shed;
there is joy for all the members
in the sorrows of the Head.

For the love of God is broader
than the measure of man's mind;
and the heart of the Eternal
is most wonderfully kind.
If our love were but more faithful,
we should take him at his word;
and our life would be thanksgiving
for the goodness of the Lord.

Wednesday, September 26, 2012

Father Frederick Faber, RIP

From Crisis Magazine:

When Father Frederick Faber died in September 1863 after a long illness, there was an outpouring of grief for this Oxford Movement convert. The Freeman’s Journal in Dublin remarked that Faber’s death, “though so long expected, has come with a seeming suddenness…. [T]he name of Father Faber has become a household word as his beautiful hymns have been adopted by every congregation.” The funeral, which was held at the Brompton Oratory that Faber had established ten years earlier, attracted a great crowd. Many of Faber’s fellow Oratorians attended, including John Henry Newman. A number of diocesan priests came as well, including Monsignor Henry Manning, who would soon be appointed Archbishop of Westminster. Also participating were Dominican and Capuchin friars along with priests from France, Belgium and Germany. A correspondent for the Freeman’s Journal recounted the ceremony: “A procession was formed down the centre of the church, the cross being borne in front, and the clergymen walking two by two between the vast crowd which thronged the building. It was a sight calculated to cause deep feelings.”

Faber had accomplished much in the 49 years that God had allotted him. He had arrived at Oxford University in the early 1830s just as the Oxford Movement was taking shape. Like Newman, Faber was drawn to the Church Fathers and hoped that Anglicanism would accept the Early Church understanding of sacraments and liturgy as its own. Ordained an Anglican minister in 1839, Faber quickly lost confidence in the Church of England and wanted to convert to Catholicism. Newman, however, urged him to wait. By the fall of 1845, Newman, too, had despaired of Anglicanism and was received into the Catholic Church. Faber followed a month later. Newman and Faber and the dozens of other Oxford ministers who entered the Catholic Church knew they were taking a bold and radical step. Catholics in England were a small, suspect group, associated in the public imagination with “Bloody Mary,” the Spanish Armada and the Gunpowder Plot. When reporting on the conversions, some English newspapers described them as “perversions.” . . .

In recent years, however, Faber’s reputation has suffered.  Some Catholics have found him too Roman, too Marian, too exuberant in his piety.  Some Newman scholars have sided with Newman in his quarrel with Faber and have written disparagingly of Faber. . . .

Father Frederick Faber died on September 26, 1863.

There's a wideness in God's mercy
like the wideness of the sea;
there's a kindness in his justice,
which is more than liberty.
There is welcome for the sinner,
and more graces for the good;
there is mercy with the Savior;
there is healing in his blood.

There is no place where earth's sorrows
are more felt than in heaven;
there is no place where earth's failings
have such kind judgment given.
There is plentiful redemption
in the blood that has been shed;
there is joy for all the members
in the sorrows of the Head.

For the love of God is broader
than the measure of man's mind;
and the heart of the Eternal
is most wonderfully kind.
If our love were but more faithful,
we should take him at his word;
and our life would be thanksgiving
for the goodness of the Lord.

Tuesday, December 20, 2011

Beautiful Marian Hymn by Father Faber

The Once I Was a Clever Boy blog posted this beautiful hymn by Father Frederick Faber, Oratorian and convert:

Like the dawning of the morning
On the mountains’ golden heights,
Like the breaking of the moon-beams
On the gloom of cloudy nights;
Like a secret told by Angels,
Getting known upon the earth,
Is the Mother’s Expectation
Of Messiah’s speedy birth.

Thou wert happy, Blessed Mother,
With the very bliss of Heaven,
Since the Angel’s salutation
In thy raptured ear was given;
Since the Ave of that midnight,
When thou wert anointed Queen,
Like a river over-flowing
Hath the grace within thee been.

On the mountains of Judea,
Like the chariot of the Lord,
Thou wert lifted in thy spirit
By the uncreated Word;
Gifts and graces flowed upon thee
In a sweet celestial strife
And the growing of thy Burden
Was the lightening of thy life.

And what wonders have been in thee
All the day and all the night,
While the angels fell before thee,
To adore the Light of Light.
While the glory of the Father
Hath been in thee as a home,
And the sceptre of creation
Hath been wielded in thy womb.

And the sweet strains of the Psalmist
Were a joy beyond control,
And the visions of the prophets
Burnt like transports in thy soul;
But the Burden that was growing,
And was felt so tenderly,
It was Heaven, it was Heaven,
Come before its time to thee.

Oh the feeling of thy Burden,
It was touch and taste and sight;
It was newer still and newer,
All those nine months, day and night.
Like a treasure unexhausted,
Like a vision uconfess’d,
Like a rapture unforgotten,
It lay ever at they breast.

Every moment did that Burden
Press upon thee with new grace;
Happy Mother! Thou art longing
To behold the Saviour’s Face!
Oh his Human face and features
Must be passing sweet to see
Thou hast seen them, happy Mother!
Ah then, show them now to me.

Thou hast waited, Child of David,
And thy waiting now is o’er;
Thou hast seen Him, Blessed Mother,
And wilt see Him evermore!
O His Human Face and Features,
They were passing sweet to see;
Thou beholdest them this moment,
Mother, show them now to me.

Wednesday, November 30, 2011

Vespers from the Brompton Oratory

BBC 3 has posted the vespers for St. Andrew's day, performed at 3:30 p.m. in London today, featuring the music of Tomás Luis de Victoria:

Choral Vespers for the Feast of St Andrew the Apostle, from the Church of the London Oratory.
Organ Prelude: Intonazione octavo tono (Giovanni Gabrieli)
Invitatory: Deus in adjutorium meum (Victoria)
Antiphons & Psalms: 110, 113, 116, 126, 117 (Victoria)
Hymn: Exsultet orbis gaudiis (Victoria)
Antiphon: Cum pervenisset (Plainsong)
Canticle: Magnificat primi toni (Victoria)
Antiphon of Our Lady: Alma Redemptoris mater (Victoria)
Organ Voluntary: Tiento de quinto tono (Francisco Correa de Arauxo)
Celebrant: The Revd Fr. George Bowen
Director of Music: Patrick Russill
Organist: Matthew Martin.

You only have seven days to listen here.