Showing posts with label The Six Wives of Henry VIII. Show all posts
Showing posts with label The Six Wives of Henry VIII. Show all posts

Sunday, January 21, 2018

Eustace Chapuys, RIP

Eustace Chapuys, the former Imperial Ambassador to the Court of St. James in England for Charles V, died on January 21, 1556 in Louvain. He had been at the English Court from 1529 until 1545, through all of Henry VIII's marriage (he left two years before Henry died):

Catherine of Aragon (1509-1533)
Anne Boleyn (1533-1536)
Jane Seymour (1536-1537)
Anne of Cleves (1540)
Katherine Howard (1540-1542)
Katherine Parr (1543-1547)

Amberley Publishing offers this survey of Chapuys' life and career in England:

The reports and despatches of Eustace Chapuys, Spanish Ambassador to Henry VIII's court from 1529 to 1545, have been instrumental in shaping our modern interpretations of Henry VIII and his wives. As a result of his personal relationships with several of Henry's queens, and Henry himself, his writings were filled with colourful anecdotes, salacious gossip, and personal and insightful observations of the key players at court, thus offering the single most continuous portrait of the central decades of Henry's reign. Beginning with Chapuys' arrival in England, in the middle of Henry VIII's divorce from Katherine of Aragon, this book progresses through the episodic reigns of each of Henry's queens. Chapuys tirelessly defended Katherine and later her daughter, Mary Tudor, the future Mary I. He remained as ambassador through the rise and fall of Anne Boleyn, and reported on each and every one of Henry's subsequent wives - Jane Seymour, Anne of Cleves, Catherine Howard, and Katharine Parr - as well as that most notorious of ministers Thomas Cromwell. He retired in 1545, close to the end of Henry VIII's reign. In approaching the period through Chapuys' letters, Lauren Mackay provides a fresh perspective on Henry, his court and the Tudor period in general.

We know that he was good friend and supporter of Catherine of Aragon (since his master was her nephew). He visited her before her death and continued to assist her daughter. But did he therefore hate and disparage Anne Boleyn. Lauren Mackay wrote for History Today:

Cromwell’s involvement in Anne’s downfall became an obsession for one man, imperial ambassador Eustace Chapuys, but not for the reasons we might expect. Chapuys only actually met Anne once [in April 1535], but Anne fascinated the ambassador, whose reports have given us some of the most enduring and emotional scenes of her remarkable yet short reign. But Chapuys’ presence in Anne’s life has been given a more sinister aspect than it deserves. If we are to believe popular 18th-century historians, Chapuys was a gossip who loathed Anne and worked tirelessly to destroy her and even celebrated her death. If you believe such gossip, then this play would have its villain. But this wasn’t the case.

Countless letters and reports flew around and across Europe between ambassadors and monarchs, detailing Anne’s very public affair with Henry. Chapuys was perhaps the most prolific of these writers. He reported to his employer, Charles V, as well as his confidantes, Mary of Hungary, governess of the Lowlands, and other diplomatic colleagues, sometimes two or three times a day. It may be surprising to learn, however, that some of the most vitriolic reports about Anne’s appearance and scandalous behaviour were not written by Chapuys, but by French, Venetian and Spanish embassies. Judging from these reports, Anne was a favourite target of rumour-mongering and was generally most harshly judged by the English people and throughout Europe.

But perhaps it is an anonymous, unsigned report found among imperial documents and erroneously attributed to Chapuys (who always signed his letters) that has done the most damage. Referring to Anne’s coronation in 1533, the writer said: “The crown became her very ill, and a wart disfigured her very much. She wore a violet velvet mantle, with a high ruff (goulgiel) of gold thread and pearls, which concealed a swelling she has, resembling gotre (sic)”. It is a harsh report to be sure, but they were not Chapuys’ words.

Please read the rest there.

Thursday, April 30, 2015

Progressive Album Rock and Henry VIII's Six Wives

Please note: this may be the only hard rock seventies post in connection with Henry VIII I'll ever make!

My husband and I are spinning more discs. He has visited a couple of the record stores here in Wichita and purchased several long-playing, 33-1/3, vinyl records. Earlier this week he bought Rick Wakeman's 1973 album, The Six Wives of Henry VIII for me, at my request:


Rick Wakeman was the keyboard artist for the English rock band Yes (in the 1970s, 1990's and 2000's). He is also a solo artist (with quite a back up group on this album). The Six Wives of Henry VIII is a 1973 studio album, inspired by Wakeman's reading of Nancy Brysson Morrison's The Private Life of Henry VIII. As he says in the liner notes:

The album is based around my interpretations of the musical characteristics of the wives of Henry VIII. Although the style may not always be in keeping with their individual history, it is my personal conception of their characters in relation to keyboard instruments.

It is indeed a personal interpretation!

My husband and I listened it to it and you can sample it here. Wakeman does not recreate the musical style of sixteenth century England in these musical interpretations. They are sometimes melodic, but there are jazzy and even soulful sections in the compositions. The album presents the wives out of chronological order and it's interesting to note that the wife to whom Henry was married the longest gets the shortest musical treatment:

1. Catherine of Aragon (3:45)
2. Anne of Cleves (7:50)
3. Catherine Howard (6:36)
4. Jane Seymour (4:44)
5. Anne Boleyn (Incl "The day thou gavest Lord is ended") (6:31)
6. Catherine Parr (7:00)

The back cover includes brief biographies for each of the wives in their proper chronological order with commonly accepted portraits and the inside fold of the album shows the layout of his keyboards. Wakeman played all his keyboards in the studio and also went to St. Giles-without-Cripplegate, an historic London church, the play the organ for the Jane Seymour track. Among the historical figures associated with the church are John Foxe, John Milton, Lancelot Andrewes, St. Thomas More, John Bunyan, Ben Jonson, Oliver Cromwell, and Daniel Defoe!

In the Anne Boleyn composition, Wakeman included the hymn tune. St. Clement, for "The day thou gavest the Lord is ended" a popular Anglican hymn:

The day thou gavest, Lord, is ended
The darkness falls at thy behest;
To thee our morning hymns ascended
Thy praise shall sanctify our rest.

We thank thee that thy Church unsleeping,
While earth rolls onward into light,
Through all the world her watch is keeping,
And rests not now by day or night.

As o'er each continent and island
The dawn leads on another day,
The voice of prayer is never silent,
Nor dies the strain of praise away.

The sun that bids us rest is waking
Our brethren 'neath the western sky,
And hour by hour fresh lips are making
Thy wondrous doings heard on high.

So be it, Lord; thy throne shall never
Like earth's proud empires, pass away;
Thy Kingdom stands, and grows for ever,
Till all thy creatures own thy sway.


More about the hymn and its composition here.

In 2009, Rick Wakeman performed an expanded version with a section dedicated to "The Defender of the Faith" at Hampton Court Palace in celebration of the 500th anniversary of Henry VIII's accession to the throne. More about that event here.