Showing posts with label Fra Angelico. Show all posts
Showing posts with label Fra Angelico. Show all posts

Sunday, April 21, 2019

"See With the Eyes of Your Soul": St. Aelred on the Resurrection


As I noted last month, Saint Aelred of Rievaulx's letter to his anchorite sister contained some beautiful meditations on the Passion, Death, and Resurrection of Jesus. Aelred encouraged his sister to imagine that she was there witnessing these events. When it comes to the Resurrection, he tells her to follow Mary Magdalen to the tomb and there meet the Risen Christ:

After all this, make sure that you do not quit the fellowship of Mary Magdalen; but when she goes to Christ's sepulchre with her sweet-smelling balms to anoint Christ's body, follow her. Ah Lord, sister, if only you might be worthy to see with the eyes of your soul that which Mary saw with the eyes of your body . . . within the sepulchre, one angel at the head, another at the foot, singing and praising the joy and bliss of Christ's resurrection . . . Jesus looking happily on Mary Magdalen who was weeping, full for sorrow His death . . . now His sweet voice as He call her by name: 'Mary!' What could be sweeter than this word, or more joyful and blissful--Mary! Now Mary, let thy tears run down, and thy sighs come forth. What heart didst thou have, what spirit, what strength, when thou didst fall headlong at Christ's feet, and didst greet Him saying: 'Rabboni!' I pray thee tell me, with what affection, with what burning desire of thy heart thou didst cry out, for thou couldst not say more for sobbing and weeping when thou saidst, 'Rabboni'. The great love thou didst have for Jesus had filled all the senses of thy body and soul.

Saint Aelred meditates on Jesus's command, Noli me tangere/Touch me not and it is hard to tell who is speaking, Mary Magdalen or Aelred:

Why, blissful Lord? Why may I not come near to Thee? Why may I not touch thy dear feet that were pierced for me with nails on the cross? Why may I not handle them, nor kiss them? Good Jesus, has Thou become a stranger to me, and no more my friend, now that Thy body is even more glorious after Thy resurrection? Now for sure, I will not let Thee go, and I will not go from Thee. I shall never cease from weeping. My breast and heart will break for sobbing and sighing unless I touch thy feet just once. And then says the merciful Jesus: 'I am not yet ascended to my Father.' That which you ask, He says, is not taken from you but is only delayed. 'Go to my brethren, and say to them: I ascend to my Father. . . . '

Then Mary runs from the garden, and surely she runs all the faster, so that she may come back to it more quickly. . . .

And he notes that Mary Magdalen's wish to grasp the feet of Jesus is fulfilled:

I beg you to notice how that which was at first denied is now granted to Mary Magdalen and her companions. As the gospel says: 'They went and clasped Jesus about His feet.' (Matthew 28:9)



Christ Is Risen! Truly He is Risen!

Today is my mother Rita's birthday! God bless her in Heaven in that eternal Easter of joy and love!

Thursday, February 18, 2016

Coincidences: Mary I, Fra Angelico, and Martin Luther

Mary I, eventually Queen Regnant of England, was born on February 18, 1516. Clare Ridgway of The Anne Boleyn Files writes:

On this day in history, in the early hours of Monday 18th February 1516, at the Palace of Placentia in Greenwich, Catherine of Aragon gave birth to a healthy daughter. It was Catherine’s sixth pregnancy (some say fifth) and it must have been a relief to hear the baby cry and see her wriggle, even if she was ‘just’ a girl.

Anna Whitelock describes how, three days after her birth, this baby girl was baptised at the nearby Church of the Observant Friars with Margaret Pole, the Countess of Salisbury, standing as her godmother.* At the end of the ceremony, heralds proclaimed:-

“God send and give long life unto the right high, right noble and excellent Princess mary, Princess of England and daughter of our most dread sovereign lord the King’s Higness.”

The little girl had been named Mary after her father’s favourite sister, Mary Tudor, and Linda Porter writes of how the baby princess was “small but pretty” and “already showed signs that she had inherited the red-gold hair of both her parents and the clear Tudor complexion.” She had also inherited her parents’ pride, intelligence and strength of character. As her parents gazed at their daughter, breathing sighs of relief that she seemed fit and healthy, they would have had no idea that this tiny girl would one day be Queen of England, that she would face many challenges with courage and would fight for her throne and win.


*Other sources note that: "Her godparents included her great-aunt the Countess of Devon, Lord Chancellor Thomas Wolsey, and the Duchess of Norfolk.[5] Henry VIII's cousin once removed, Margaret Pole, Countess of Salisbury, stood sponsor for Mary's confirmation, which was held immediately after the baptism.[6]"

Thirty years later, the Reformer, Martin Luther, died on February 18, 1546. As this site briefly describes his last years and death:

During his last years of life Luther fought against many physical ailments. The death of his daughter Magdelena, in 1542, was also very difficult for him.

Luther's relationship to people with different beliefs, especially the Jews, deteriorated drastically during these years. His 1523 work Jesus was born a Jew showed a concilliatory (sic) attitude; however, in later years the aging reformer sentenced all who did not want to convert to his beliefs. The strongly anti-semetic (sic) work
Jews and their Lies (1543) came out during this period.

Luther continued to lead the Reformation in its fight against its enemies even in the last years of his life. With his 1545 work
Against the Papacy at Rome Founded by the Devil! he performed his last blow against the Roman Church.

Luther continued his preaching duties despite his various disappointments and ailments.

Luther continued to teach at Wittenberg University until the end of his life; his last lecture ended with the words: "I am weak, I cannot go on."

Luther set off on his last trip on January 17, 1546, to his birthplace Eisleben (only in German).

Although he was drawn with illness, he went to settle a dispute among the Mansfeld Counts. The negotiations ended successfully.

Luther did not have the energy to return to Wittenberg. He died on February 18, 1546 in Eisleben. On his death bed, he prayed "Into your hands, I command my spirit. You have saved me, Father, you faithful God."

After the coffin was displayed for two days in Eisleben, Luther's body was transported through Halle and Bitterfeld back to Wittenberg.

On February 22 Luther was laid to rest in the Castle Church in Wittenberg; Johannes Bugenhagen held the funeral oration.

And today is also the feast of Blessed Fra Angelico, a great Dominican saint and Renaissance artist:

Bl. John of Fiesole, popularly known as Bl. Fra Angelico, was a Dominican painter in the mid-fifteenth century known for the beauty of his paintings and the holiness of his priestly life. Nicknamed “Angelico” by his brothers, his Dominican consecration and life are worthy of imitation as he preached Jesus Christ by his life, his words, and his paintings.

Given the name Guido at Baptism, this saint was born near Vicchio, in the vicinity of Florence, at the end of the 14th century. From his youth he practiced the art of painting. Having entered the Dominican convent in Fiesole, he was given the name Brother Giovanni (Brother John). After ordination he held various responsibilities, one of which was that of prior of the convent in Fiesole.

Faithful to the promises he made as a Dominican, to preach the Gospel after having contemplated it in prayer, Fra Angelico put his creativity at the disposal of the Lord. With brush and paint in hand, he used his talents to transmit to all people the sublimity and the redemptive strength of the divine mysteries.

Between 1425 and 1447, Fra Angelico carried out his activity for the Dominican convents and other ecclesiastical institutes at Fiesole, Florence (most especially at the convent of San Marco), Cortona and Orvieto. The fame of his genius merited him the esteem of the Sovereign Pontiffs Eugenio IV and Nicolas V, who contracted him for the task of frescoing several rooms in the Vatican Palace (1445-1449).

Fra Angelico died on February 18, 1455, in the convent of Santa Maria Sopra Minerva in Rome and was buried in the adjoining Basilica, where his body was covered by a simple slab on which was carved his portrait. With a personality that was uncomplicated and clear, Brother Giovanni had lived a poor and humble life, refusing honors and positions.

The virtue and the profound religious spirit which characterized the life of this artist and Dominican is reflected in his spirituality, his purity, and the luminosity of his art. Even before his official recognition as a blessed of the Church, he had been given by the faithful the title “Beato Angelico.” In a moving ceremony on October 18, 1984, Pope John Paul II, on his knees in front of Fra Angelico’s tomb, proclaimed him solemnly to be the universal patron of all artists.

Saturday, October 10, 2015

Another Dominican Master: St. Antonino of Florence

From Dom Bede Jarrett, O.P.'s 1914 monograph, S. Antonino and Medieval Economics:

There is another shrine which the devout lover of S. Antonino finds perhaps more appropriate and more touching — his cell in S. Marco. Here within these walls, how much of that character was built up which has made him revered in Florence, as the most blessed of her Bishops for over a thousand years! We look round with affection and love to think how much it meant, when in those far-off days (which somehow here seem not quite so distant) the vigorous Prior wrought out so many plans for the well-being of his brethren and the city. In it are gathered now his vestments, the death-mask, some manuscripts (which it requires a persistent visitor to get hold of) in his execrable hand- writing, and an old portrait. . . . 

But in this "narrow cell" that S. Antonino had chosen for himself, Fra Angelico has painted a fresco. Its design was no doubt thought out by the friends in counsel; and the Prior must have stood and watched while the artist-friar in prayer worked out with his bright colouring the mystery that both deemed the most appropriate. It represents the descent of Christ to the departed in Limbo. The figure of the Crucified Saviour, who has not yet burst through the portals of the tomb, stands in soft mellow light at the entrance of a rocky cave. In front and to the right stretch the long line of figures whose eyes gaze in rapt ineffable adoration on the face that lit up for them the gloom alike of life and of death. Thronging together, their hands uplifted in wonder, their knees half-bowed in worship, they stand for thousands and tens of thousands out of many nations and centuries and beliefs. Gathered from Earth's wide-stretching garden, they are the first blossoms that Christ shall offer to His Father; and over them all broods a hushed, yet living, silence. They are the spirits of the just made perfect, the first-fruits of the Lamb, the eldest-born of all the Dead. How they had waited in patience shut up within their prison, while through timeless aeons they looked out for the Messias! Tired were they and weary, expectant of release, yet knowing not day nor hour when the fulness of time should come. In silence and in hope was their only and utter strength. So Christ would have them remain until He should come. 

And S. Antonino, looking on this as he worked and laboured and wrote, learnt the lesson of life as taught by his friend Fra Angelico. Here, brimful of meaning, which yet would never tire or make afraid, was a splendid sermon by the most eloquent of Friar Preachers. 

He looked and learned that patience in weariness, patience in waiting, patience in an incomplete state of being is the most precious virtue to have attained, so that ''through patience we might have hope." 

I went to Eighth Day Books last week in search of a used book by Etienne Gilson titled The Church Speaks to the Modern World: The Social Teachings of Pope Leo XIII (Warren is searching for a copy for me) and instead found a lovely little red book about economics! Dom Bede Jarrett, O.P. wrote a little trilogy on economics in the Middle Ages and I plan to read the other two works: Medieval Socialism and Social Theories of the Middle Ages, which will require another trip to Eighth Day Books!

The volume I purchased is volume 3 in the "Catholic Library" published in both England and the U.S.A.. The book came with the insert from the U.S. publisher, B. Herder of St. Louis, MO., in 1914 asking the receiving Editor to provide "as extensive a notice as possible" and to "favor me [the Publisher] with two marked copies of your paper containing notice."

Although the book refers to the saint and Medieval Economics in the title, Jarrett dedicates one chapter out of ten to "His Social Ideals". Jarrett provides a summary of St. Antonino's Summa Moralis on economic themes: Production, Distribution, and Consumption. The saint, who was Archbishop of Florence when Cosimo de Medici was resident in the Dominican convent of San Marco (which contains the great frescoes of Fra Angelico as referenced and illustrated above), writes about the moral aspects of commerce. He begins with the statement that riches are good and poverty is bad; riches are good because they allow a man to care for his family in relative security and comfort, provide for the common good, and give alms to the poor to alleviate their want. No one in a just state should be destitute of food, shelter, and clothing, but everyone must work according to their ability to support themselves and their families. Wealth also provides for the opportunity for prayer and meditation: riches are a means to good things, not an end. While good may be obtained through voluntary poverty (like that practiced by religious), poverty is not a good in and of itself.

St. Antonino did not expect or even suggest the even distribution of wealth, noting that inequality is part of Nature and while he joined in the universal condemnation of usury and was opposed to monopolies or cartels, he acknowledged that businessmen could and should make a profit, even on their invested capital, as it represents their industry and effort, not as money making money on itself. He condemns extravagance or conspicuous consumption: "For it is a sad thing to see, side by side, extravagance and penury, to see horses and mules gaily caparisoned while the poor perish from hunger; or in a plague-stricken city when the sick lie naked, cold, and foodless to find men and women dressed with vain and gaudy ornaments (II. 4, 4, vi. p. 581; II. 4, 5, ii. p. 591)" (p. 76). St. Antonino discusses the principles of just prices, just reward for labour, and just production and distribution of goods.

Jarrett sums up the saint's work on economics:

These ideals of Florence set out in four volumes of S. Antonino's Summa Moralis, put into complete activity in the Greater and Lesser Guilds, and lined in stone along the graceful facade of Or San Michele are commercial, it is true, but clean and religious and noble. They sum up a chivalrous and knightly aspect of mercantile adventure. They spell out the splendid Chronicles of the Romance of Trade.

In the chapter preceding this review of economic theory, Jarrett details the holy archbishop's efforts to provide for the poor through charitable foundations and almsgiving, stating:

Yet was his charity ever true, rooted in faith and glowing with trustfulness in the inherent goodness of redeemed humanity. It was synonymous with justice for it rested on fellowship and its piers were driven deep down into that human nature whereby all we mortals are akin. Charity for him was love and God was love.

St. Antonino of Florence's feast (May 10) is no longer included on the Roman Calendar but EWTN provides this biography of the saint from Rev.Alban Butler.

Dom Bede Jarrett (1881-1934), according to this site, was born as

Cyril Jarrett, who received the name Bede when, at age 17, he entered the Dominican order in England. The Dominicans sent him to study at Oxford and at Louvain, where he received his degree in theology. Ordained in 1904, Fr. Jarrett was stationed at St. Dominic's Priory in London. At 33, he was named Prior there and, just two years later, was elected Provincial — an office he held the rest of his life. While serving as Provincial, Fr. Jarrett wrote numerous scholarly books, as well as a lively, popular biography of St. Dominic.

Fr. Jarrett's demanding schedule of preaching and lecture engagements in England and abroad soon brought him to the attention of Catholics in the pew. He inspired them with his profound grasp of human nature and his eloquent explanations of the wise and loving ways of God. That same eloquence and Catholic understanding permeates the meditations he penned for this book.

In his own life time he held a recognised position as the greatest preacher in Catholic England. The Times of London noted in his obituary that "he has been called the best Roman Catholic preacher in this country, and he was perhaps the most popular English preacher in the United States, his sermons being marked by their intellectual quality, their appositeness to the times and their incisiveness". He is the author of
Classic Catholic Meditations, Life of St. Dominic, The abiding presence of the Holy Ghost in the soul, and Mediaeval Socialism.