George Sand, Chopin, and St. Augustine and St. Monica

On a previous visit to Paris, I visited the Nouvelle Athenes area, starting with Église de la Sainte-Trinité in the 9th arrondisement, La Musee de la vie romantique, and the Passages or walk through shopping streets near Boulevard Montmartre.

When I entered Sainte-Trinite (Holy Trinity), the Blessed Sacrament was exposed on the Altar in huge monstrance with a sun burst design. I was there just in time for Benediction, and the priest struggled mightily to make the Sign of the Cross and bless us. The park in front the church was quiet that morning, but when I took my husband to see Sainte-Trinite later one day, the lawns were covered with picnickers and others relaxing--just before a sudden rain storm. Then everyone dispersed and we ran in to the church. In fact, when we visited Sainte-Trinite during our last trip, it started raining just as we left one of the busy cafes near the Trinite Metro stop, and interesting coincidence.

But during my tour, I left Sainte-Trinite in search of La Musee de la vie romantique, quite a way off the tourist route, and arrived before it opened. So I walked a little further down Rue Chaptal to find a tabac or brasserie for a cup of coffee.

La Musee de la vie romantique combines memories of George Sand and Frederic Chopin and the works of Ary Sheffer--and thus the connection to St. Augustine, whose feast we celebrate today, and his mother, St. Monica, whose feast we celebrated yesterday through the painting depicted above. The painting shows the two saints in that ecstasy St. Augustine describes in the tenth chapter of book nine in the Confesssions:

23. As the day now approached on which she was to depart this life -- a day which thou knewest, but which we did not -- it happened (though I believe it was by thy secret ways arranged) that she and I stood alone, leaning in a certain window from which the garden of the house we occupied at Ostia could be seen. Here in this place, removed from the crowd, we were resting ourselves for the voyage after the fatigues of a long journey.

We were conversing alone very pleasantly and "forgetting those things which are past, and reaching forward toward those things which are future."[293] We were in the present -- and in the presence of Truth (which thou art) -- discussing together what is the nature of the eternal life of the saints: which eye has not seen, nor ear heard, neither has entered into the heart of man.[294] We opened wide the mouth of our heart, thirsting for those supernal streams of thy fountain, "the fountain of life" which is with thee,[295] that we might be sprinkled with its waters according to our capacity and might in some measure weigh the truth of so profound a mystery.

24. And when our conversation had brought us to the point where the very highest of physical sense and the most intense illumination of physical light seemed, in comparison with the sweetness of that life to come, not worthy of comparison, nor even of mention, we lifted ourselves with a more ardent love toward the Selfsame,[296] and we gradually passed through all the levels of bodily objects, and even through the heaven itself, where the sun and moon and stars shine on the earth. Indeed, we soared higher yet by an inner musing, speaking and marveling at thy works.

And we came at last to our own minds and went beyond them, that we might climb as high as that region of unfailing plenty where thou feedest Israel forever with the food of truth, where life is that Wisdom by whom all things are made, both which have been and which are to be. Wisdom is not made, but is as she has been and forever shall be; for "to have been" and "to be hereafter" do not apply to her, but only "to be," because she is eternal and "to have been" and "to be hereafter" are not eternal.

And while we were thus speaking and straining after her, we just barely touched her with the whole effort of our hearts. Then with a sigh, leaving the first fruits of the Spirit bound to that ecstasy, we returned to the sounds of our own tongue, where the spoken word had both beginning and end.[297] But what is like to thy Word, our Lord, who remaineth in himself without becoming old, and "makes all things new"[298]?

Before visiting the Passages Jouffroy, des Panoramas, and the Galerie Vivienne, I stopped in Notre Dame de Lorette to close the triangle of Nouvelle Athenes in Paris.