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Friday, July 25, 2025

Preview: A 475th anniversary, +Abbot John Reeve, and the Fenn Brothers

On Monday, July 28, with the excuse of the 475th anniversary of the founding of one of King Edward VI's Grammar Schools, we'll discuss the dissolution of the monastery of the Abbey of Bury St. Edmunds, the sad death of its last Abbot, John Reeve, and two recusant Catholic brothers, one an exile, the other a martyr! All that (at least some of it!) on the Son Rise Morning Show at my usual approximate time, 7:50 a.m. Eastern/6:50 a.m. Central. Please listen live here or catch the podcast later here.

Last month, the King Edward VI School, Bury St Edmunds celebrated the 475th anniversary of its founding. As the name indicates, it was founded during the reign of King Edward VI, the third Tudor Monarch (1547-1553). 

According to the school's website:

It is believed there was a school in Bury St Edmunds from the 10th century. In 903 the body of King Edmund was laid in the priests’ college, of which the school was a part. King Canute established a Benedictine Monastery in Bury, and paid from the royal purse for boys of promise, even freed sons of slaves, to attend school. In 1550 lands were given to provide funds for a “scole ther to be founded by the kinges Maiestie in the like manner as the school at Sherbourne”.         

King Edward VI School is, therefore, the second King Edward VI School in the country, and in 2000 it had been founded for 450 years. . . . The charter with Edward’s seal is in the Public Records Office together with documents and books from the early years of the school’s existence. One of these is the list of rules for the masters and boys.

Here are a few of the rules for the boys who attended classes that first year:

  • Those who cannot read and write shall be excluded. They must learn elsewhere the arts of reading and writing.
  • No boy shall come to school with unkempt hair, unwashed hands or dirty shoes or boots, torn or untidy clothes. Any boy misbehaving himself either in Church or any other public place shall be flogged.
  • They shall speak Latin in school. Truants, idlers and dullards shall be expelled by the High Master after a year’s trial. Every boy shall have at hand, ink, paper, knife (used to sharpen a quill pen), pens and books. When they have need to write the boys shall use their knees as a table.
Sounds tough, doesn't it? The staff didn't have it much easier. According to those 1550 rules: "They shall abstain from dicing, gaming and tippling. They must not keep their family on the premises. Women like deadly plagues shall be kept at a distance."

Both of these Edward VI schools--at Sherborne and at Bury St. Edmund's--were founded on the sites of former monasteries. Bury St. Edmund's Abbey was the site of St. Edmund the Martyr's shrine and a great site of pilgrimage from the Twelfth Century until its dissolution in 1539, as the British History Online website explains:
Early in 1538, the agents for [de]spoiling the greater monasteries (in this case Williams, Pollard, Parys, and Smyth) visited St. Edmunds. Writing to Cromwell, from Bury, they tell the Lord Privy Seal that they found a rich shrine which was very cumbrous to deface; that they had stripped the monastery of over 5,000 marks in gold and silver, besides a rich cross bestudded with emeralds and other stones of great value; but that they had left the church and convent well furnished with silver plate. (fn. 80)

On 4 November, 1539, this famous abbey was surrendered. The surrender is signed by Abbot John Reeve, Prior Thomas Ringstede (alias Dennis), and by forty-two other monks. (fn. 81) . . .

On 11 November, the abnormally large pension of £333 6s. 8d. was allotted to the abbot. (fn. 84) He lived, however, only a few months after the dissolution of his house. Weighed down, as it is said, with sorrow and disappointment at the complete degradation of his order, he died on 31 March, 1540, in a small private house at the top of Crown Street, Bury St. Edmunds, never having drawn a penny of his pension. He was buried in the chancel of St. Mary's Church, with a pathetic Latin epitaph on the brass over his remains. The brasses were torn from his grave in 1643, and in 1717 the slab was broken up and the remains removed to make way for the burial of a ship's purser named Sutton. (fn. 85)

So we also commemorate the 485th anniversary of the death of Abbot John Reeve this year. More about him here in a list of ten Abbots of Bury St. Edmunds. Here's a picture of his epitaph in the church, in which Henry VIII's sister and former Queen of France, Mary, is also buried (transferred after the dissolution of the abbey). 

May he rest in the peace of Christ--his earthly remains were not accorded any peace.

Back to the founding of the Edward VI Grammar school: According to the school's website, the first High Master was John King (1550-2). Since the school was organized during the reign of Edward VI, I would presume he was a Calvinist in doctrine. But since Edward VI died in 1553, and his elder, resolutely Catholic half-sister Mary succeeded him on the throne, the next High Master was a Catholic.

His name was John Fenn, and he was the brother of a Catholic martyr, Blessed James Fenn. According to the old Dictionary of National Biography John
was a native of Montacute, near Wells, Somersetshire. After being educated in the rudiments of grammar and music as a chorister of Wells Cathedral, he was sent to Winchester School in 1547 (Kirby, Winchester Scholars, p. 127; Addit. MS. 22136, f. 21). He was elected probationer of New College, Oxford, in 1550, and two years later, after being made perpetual fellow, he was appointed to study the civil law. It does not appear whether he took a degree in that faculty. In Queen Mary's reign he became schoolmaster at Bury St. Edmunds, Suffolk, but upon the alteration of religion soon after Elizabeth's accession ‘he was forced thence by the giddy zeal of two Scots, that were then settled in those parts’ (Wood, Athenæ Oxon., ed. Bliss, ii. 111). Subsequently he went to the Low Countries, and afterwards studied for four years in Italy, and was ordained priest. Dodd's statement that he was admitted into the English College at Rome is not confirmed by the ‘Diary’ of the college. After his return to Flanders he became confessor to the English Augustinian nuns at Louvain. There and in the neighbouring cities he spent about forty years ‘as an exiled person, doing extraordinary benefit in the way he professed’ (ib. p. 113). He died at Louvain on 27 Dec. 1615.

As easily anticipated by all of you reading this, the next High Master was an Anglican, having taken the requisite oaths. The school is "a Voluntary Controlled Church of England school" to this day and "worship reflects the Anglican tradition" per this source. Alumni of the school are called "Old Burians".

Father John Fenn's brother, the martyr, also had a late vocation to the priesthood, having been married and then a widower (according to the same source):

catholic priest, born at Montacute, near Wells, Somersetshire, became a chorister of New College, Oxford, and afterwards was elected a scholar of Corpus Christi College 31 July 1554, and a fellow of that society 26 Nov. 1558. He was admitted B.A. 22 Nov. 1559, but was ‘put aside’ from that degree and from his place in the college on account of his refusal to take the oath of supremacy (Boase, Register of the Univ. of Oxford, p. 240). Then he settled in Gloucester Hall, where he had several pupils. On being forced to leave Oxford he acted as tutor to the sons of a gentleman in his native county, where he married and had two children. After the death of his wife he became steward to Sir Nicholas Pointz, a catholic gentleman. He arrived at the English College at Rheims on 5 June 1579, was ordained priest at Châlons-sur-Marne on 1 April 1580, and was sent back to labour on the mission in Somersetshire. He was soon apprehended, and although not yet known to be a priest he was loaded with irons. The council ordered him to be brought to London, and after being examined by Secretary Walsingham he was committed to the Marshalsea, where he remained in captivity for two years. His sacerdotal character having been at last discovered, he was brought to trial, and condemned to death on account of his priesthood. He was executed at Tyburn on 12 Feb. 1583–4, together with four other priests[George Haydock, Thomas Hemerford, John Nutter, and John Mundyn]

Saint Edmund the Martyr, pray for us!

Saint Benedict, pray for us!

Blessed James Fenn, pray for us!

Image source (Public Domain): Portrait of Edward VI of England, seated, wearing a gown lined in fur (ermine or lynx) over a crimson doublet with the collar of the Order of the Garter and holding a Bible.

Friday, July 18, 2025

Preview: 140 Years of Perpetual Adoration in Sacre-Coeur


On August 1, 2025, the Basilica of Sacre-Coeur will celebrate 140 years of Perpetual Adoration. To prepare for the anniversary, the basilica will hold a novena of 140 adorers per night before the great celebration, beginning on July 24. We'll talk about this on Monday, July 21 as the next in our Son Rise Morning series of 2025 anniversaries. As usual, I'll be on the air about 7:50 a.m. Eastern/6:50 a.m. Central. Please listen live here or catch the podcast later here.

If you want to book a flight to participate, you also need to book a room in the hostel, especially for August 1, because the events start at 3 p.m. and end after Midnight:

August 1, 2025
3:00 p.m.: Solemn Mass presided over by Cardinal Christophe PIERRE, Apostolic Nuncio to the United States, with Apostolic Blessing granted by Pope Leo XIV.
4:30 p.m.: Grand Eucharistic Procession (bring multicolored rose petals)
5:30 p.m.: Meditated Adoration of the Blessed Sacrament
6:00 p.m.: Solemn Vespers
6:30 p.m. Teaching on the Consecration to the Sacred Heart (At the Crypt. Mandatory, including for renewals of consecration.)
8:30 p.m.: Vigil of Consecration
9:30 p.m.: Compline
10:00 p.m.: Solemn Mass to give thanks to God
11:00 p.m.: Meditated Adoration until midnight
Midnight: Blessing of the faithful and the city with the Blessed Sacrament. Sung Te Deum.

In 2020, Solène Tadié wrote for the National Catholic Register about the perpetual adoration at Sacre Coeur:

Day and night since Aug. 1, 1885, the Body of Christ in the Holy Sacrament has been exposed and adored inside the basilica (except for Good Friday), whatever the external conditions, even the most extreme. This is remarkable, as the history of France hasn’t exactly been calm since that time, including for the Catholic Church, which is also facing an unprecedented wave of secularization at every level of society.

“The adoration hasn’t stopped even for a minute, including during the two world wars,” Sister Cécile-Marie, member of the Benedictine Sisters of the Sacré-Cœur de Montmartre and responsible for the nights of adoration at the basilica, told the Register. “Even during the 1944 bombing, when some fragments fell right next to the basilica, the adorers never left.”

Adoration continued throughout the COVID shutdowns with the Benedictine Sisters taking all the hours until others could enter the basilica. Sister Cécile-Marie highlights the bombing of the basilica in 1944 and that's appropriate because Sacre-Coeur was built after France lost the Franco-Prussian War in 1870, and after the uprisings of the Paris Commune.

The selection of the site for the basilica dedicated to the Sacred Heart of Jesus and Perpetual Eucharistic Adoration, Montmartre, is where Saint Denis, one of the patron saints of Paris, was martyred. The church, built with travertine limestone that exudes calcite when it rains, is bright and white. It's architectural style is Byzantine and the interior is filled with chapels and beautiful mosaics.

Since it was built with the purpose of reparation for the sins of the French nation, many, like Clemenceau and Zola, opposed its construction, but it was finally completed in 1919. In 2022, Sacre-Coeur was named a national historical monument.

Whenever Mark and I visited Sacre-Coeur, we noted the contrast between the square outside the basilica, with souvenir hawkers and tourists just looking out over the vista of Paris beneath, to the quiet and hush of the church inside, with ushers urging men to take off their baseball caps, and muffled sounds of footsteps around the church.

Most Sacred Heart of Jesus, have mercy on us!

Friday, July 11, 2025

Preview: Anniversaries of Two Martyrs in England and Ireland

(The candle marks the spot where the great shrine of Saint Thomas of Canterbury once stood, destroyed by Henry VIII's command in 1538, when he suppressed the saint's Cult in England--to no effect in the Catholic Church of course.)

When Thomas More was condemned to death in 1535, he wrote that famous letter to his daughter Meg in which he rejoiced that the date of his execution was July 6, the vigil of one the feasts of Saint Thomas of Canterbury (the translation of his relics into his great shrine after his canonization) and the Octave of the Feast of Saints Peter and Paul:

I cumber you, good Margaret, much, but I would be sorry, if it should be any longer than tomorrow, for it is Saint Thomas' Even and the Utas [Octave] of Saint Peter and therefore tomorrow long I to go to God, it were a day very meet and convenient for me. I never liked your manner toward me better than when you kissed me last for I love when daughterly love and dear charity hath not leisure to look to worldly courtesy.

On Monday, July 7, there was a Catholic Mass celebrated in the Anglican Cathedral of Canterbury (sede vacante since January this year) for the celebration of this feast. 

So on Monday, July 14, we'll discuss this anniversary and event on the Son Rise Morning Show; we'll also highlight the celebration in Ireland of the 400th anniversary of Saint Oliver Plunkett's birth! He was the last Catholic priest executed at the end of the Popish Plot hysteria. As usual, I'll be on the air about 7:50 a.m. Eastern/6:50 a.m. Central. Please listen live here or catch the podcast later here.

Catherine Pepinster with Religion News Service began here with the story about this Mass, offered by the Papal Nuncio, Archbishop Miguel Maury Buendia:
LONDON (RNS) — King Henry VIII and his iconoclast-in-chief, Thomas Cromwell, would be stunned: Nearly 500 years after the English Reformation, Canterbury Cathedral, the mother church of the Protestant Church of England, will be given over to a Roman Catholic Mass, celebrated by the pope’s own representative in the country in honor of the martyr Thomas Becket, who died in the cathedral in 1170.

Not least among the historical oddities of the day will be that the Mass will award those in attendance a plenary indulgence.

When Henry broke with Rome in 1535 to create the Church of England, it led to the destruction of shrines to saints and martyrs, including their relics. The tradition of offering pilgrims an indulgence for visiting these shrines — a key driver of the Protestant revolt across Europe at the time — was ended.
Tenebrae provided the chant during the Mass; pilgrims could receive the Jubilee Year indulgence; and the congregation sang the Salve Regina! This was an extraordinary event! 

St. Thomas of Canterbury was martyred in 1170 (855 years ago this December 29), canonized in 1173, and his relics were moved on July 7 from the crypt to the Trinity chapel in 1220 (805 years ago).

The other great anniversaries are for Saint Oliver Plunkett: the 400th anniversary of his birth on All Saints Day in 1625 and the 50th anniversary of his canonization on October 12, 1975 (he was beatified in 1920!)

RTE reported on July 4 in advance of the events:
The 400th anniversary of the birth of St Oliver Plunkett is being marked in both Drogheda and the Oldcastle area of Co Meath this year. . . .

A series of events is under way to mark 400 years since St Oliver Plunkett’s birth, and also the 50 years since his canonisation in 1975, when he became the first newly-made Irish saint for almost 700 years.

Tomorrow will see an event titled the 'Plunkett Clan Gathering’ take place at Loughcrew House and Gardens, the ancestral seat of the Plunkett family.

An ecumenical service in the 17th-century church will be followed by historical talks, live music and refreshments, which organisers have said will be a "heartfelt tribute in a place of deep personal resonance for the saint’s descendants".
More details here on a special website for the martyred saint.

These anniversaries and these events demonstrate the great impact of these martyrs and their legacy for the Catholics of England and Ireland!

Saint Thomas of Canterbury, pray for us!
Saint Oliver Plunkett, pray for us!

Wednesday, July 2, 2025

Stumbling Upon Words from Maeterlinck in a Book about Chesterton

As I was reading a selection ("Destiny's Pursuit") from David Fagerberg's Chesterton is Everywhere (which I bought at Eighth Day Books of course) I was surprised to see a quotation from the Symbolist playwright Maurice Maeterlinck about happiness.(Well, he did write The Blue Bird about happiness but that's not what I think of first when I see the name Maeterlinck.)

Fagerberg is discussing Chesterton and happiness and suggests that "happiness is not so passive; perhaps happiness even has the power to influence destiny." Then he suggests that Maeterlinck offers an insight: "that wise persons know in advance" . . .

how events will be received in their soul. The event itself is pure water that flows from the pitcher of fate, and seldom has it either savour or perfume or color. (from Wisdom and Destiny by Maeterlinck)

Maeterlinck cites the examples of Oedipus and Hamlet: they are not wise enough to respond well to events and yet remain happy: other wiser characters could, but "Hamlet is unhappy because he moves in unnatural darkness." (p. 24)

Immediately I thought one of the unhappiest characters on any stage: Maeterlinck's Mélisande in his play Pelléas et Mélisande and in Debussy's opera of the same name. Her key phrase is some variation on "I am not happy":

Melisande
Je suis...
Je suis malade ici...

Golaud
Tu es malade?
(pause)
Qu'as-tu donc, qu'as-tu donc, Mélisande?

Melisande
Je ne sais pas...
Je suis malade ici.
Je préfére vous le dire aujourd'hui;
Seigneur, je ne suis pas heureuse ici...

And the kingdom of Allemonde is very dark as her husband Golaud admits: so many forests, famine in the land, dark caverns and deep wells, storms off the coast of the dark sea that obscure the beacon lights . . .

Golaud
Qu'est-ce donc?
Ne peux-tu pas te faire à la vie qu'on mêne ici?
Il est vrai que ce château est très vieux et très sombre...
Il est très froid et très profond.

Et tous ceux qui l'habitent sont déjà vieux.
Et la campagne peut sembler triste aussi,
avec toutes ces forêts, toutes ces vieilles forêts sans lumière.

Mais on peut égayer tout cela si l'on veut.
Et puis, la joie, la joie, on n'en a pas tous les jours:
Mais dis-moi quelque chose;
n'importe quoi, je ferai tout ce que tu voudras...

Melisande
Oui, c'est vrai...on ne voit jamais le ciel ici.
Je lai vu la première fois ce matin...

She's just been able to see the sky that day. And when she leaves Golaud on a fruitless errand, she repeats "Oh! Oh! Je ne suis pas heureuse, Je ne suis pas heureuse" and weeps.

There are lots of opinions about Melisande and Debussy's opera is an acquired taste: one either loves it or leaves it (after a couple of acts in the opera house). 

It's one of my favorite operas from listening to recordings and opera broadcasts. It's not going to be in a regional or local opera company's repertoire: too risky. Not even the Met in Manhattan stages it that often (119 performances between 1925 and 2019; compare that to another French opera, Gounod's Faust: 752 from 1883-2013. The most performed opera at the Met: La Boheme, 1,440 times from 1900 to 2025.) Yes, there's an online database! (It's not even performed that often at the Paris Opera; it debuted at the Opera-Comique.)


Melisande is not wise (she never knows anything and she'll lie without reason), she lives in darkness, the darkness of Maeterlinck's symbolist world, and she's not happy. Instead of "Hamlet is unhappy because he moves in unnatural darkness" would Maeterlinck say that Melisande is unhappy for the same reason?

At the end of the opera, she wants the windows opened so she can see, see the sun:

Melisande
Ouvrez la fenêtre...ouvrez la fenêtre...

Arkel
Veux-tu que j'ouvre celle-ci, Mélisande?

Melisande
Non, non, la grande fenêtre...c'est pour voir...

Arkel
Est-ce que l'air de la mer n'est pas trop froid ce soir?

Le medecin
Faites, faites...

Melisande
Merci...
Est-ce le soleil qui se couche?

Arkel
Oui; c'est le soleil qui se couche sur la mer; il est tard.
Comment te trouves-tu, Mélisande?

But of course the sun is setting. And it gets in her eyes so she can't see Golaud.

Can you imagine G.K. Chesterton at a performance of Pelléas et Mélisande? It was performed at the Royal Opera, Covent Garden in 1909. If he had seen and heard it, would he have agreed with Arkel in an earlier scene, “si j’étais Dieu, j’aurais pitié du coeur des hommes”. (If I were God, I would pity the hearts of men.)*? Or would he have left at the first intermission?

*Which makes one think of “Behold this Heart which has so loved men that it has spared nothing, even to consuming itself to witness its love."

Image Source (Public Domain): Photograph of Act 5 of the original 1902 production of Debussy's Pelléas et Mélisande, published in Le Théâte, June 1902